With recording, everything changed. The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture. It’s an idea that many composers have felt reluctant about because it seemed to them to diminish the importance of music.

Pixies and Sonic Youth were so important to the eighties.

Music helps me tell my story. That’s where I can really be heard. But there’s so much focus on the things that aren’t music.

Before recording technology existed, you could not separate music from its social context.

The signing of the Sex Pistols was a turning point for Virgin. It put the company on the map and, over the years, attracted bands such as Genesis, the Rolling Stones, Lenny Kravitz, and Janet Jackson. It also attracted Culture Club, who were ground-breaking.

My brother had written ‚Ocean Eyes,‘ and we recorded it, basing all of the production around contemporary and lyrical dance. I think of most songs that way – if you can’t dance to a song, it’s not a song.

People like Frank Zappa and Bryan Ferry knew we could pick and choose from the history of music, stick things together looking for friction and energy. They were more like playwrights; they invented characters and wrote a life around them.

I probably could have toured off ‚Trilogy‘ for the rest of my life. It definitely changed the culture. No one can do a trilogy again without thanking The Weeknd.

The great moments of rock ‚n‘ roll were never off in some corner of the music world, in a self-constructed ghetto.

I read every book there was on jazz, about the original players – King Oliver, Buddy Bolden and all those groups. At one time I was fairly well schooled in that… I could tell you who played where and when, historically, way before my time.

We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.

I was 19 or 20 when The Beatles were at their peak, and I was coming up to the peak of my career, too. I was also the first footballer to have long hair, and that’s how I got my nickname ‚the Fifth Beatle.‘

I work with my brother Finneas, and he produces all of my music in his little bedroom in our house. We actually tried renting out a studio for a month when we were producing ‚Don’t Smile at Me,‘ but it was really hard there, and we ended up just doing it at home anyway.

From one generation to the next, The Beatles will remain the most important rock band of all time.

The Beatles created something that never trailed off. What a gift that was to their fans. If you’re into the Beatles, you loved them from beginning to end.

Trap is new. It didn’t start yesterday, but when I was 5, it didn’t exist – not even in the U.S. I’ve evolved with the music.