novel quotes

You can write a short story in two hours. Two hours a day, you have a novel in a year.

A good novel tells us the truth about its hero; but a bad novel tells us the truth about its author.

For me, a paragraph in a novel is a bit like a line in a poem. It has its own shape, its own music, its own integrity.

In all seriousness, people think that it’s the ideas that are important. Well, everyone has ideas, all the time. I tend to write mine down and remember them, but at some point you have to apply the bum to the seat and knock out about sixty five thousand words – that’s how long a novel is.

I might just write a novel next. I don’t know!

The atmosphere of orthodoxy is always damaging to prose, and above all it is completely ruinous to the novel, the most anarchical of all forms of literature.

Whenever I write a novel, I have a strong sense that I am doing something I was unable to do before. With each new work, I move up a step and discover something new inside me.

Whenever I write a novel, music just sort of naturally slips in (much like cats do, I suppose).

When you’re writing a novel, you don’t want the reader to come out of it voting yes or no to some question. Life is more complicated than that. Reality simply consists of different points of view.

I always seem to get inspiration and renewed vitality by contact with this great novel land of yours which sticks up out of the Atlantic.

You have to be practical. So every time I say, if you want to write a novel you have to be practical, people get bored. They are disappointed. They are expecting a more dynamic, creative, artistic thing to say. What I want to say is: you have to be practical.

Night is certainly more novel and less profane than day.

For me, writing a novel is like having a dream. Writing a novel lets me intentionally dream while I’m still awake. I can continue yesterday’s dream today, something you can’t normally do in everyday life.

I’m skeptical that the novel will be ‚re-invented.‘

Nothing induces me to read a novel except when I have to make money by writing about it. I detest them.

My paintings have gotten to be pretty popular and I’ve taken a little bit more interest in painting the last few years. In fact, my novel that I wrote not too long ago, ‚The Hornet’s Nest,‘ I painted the cover picture for it and I do a good bit of painting now.

A novel is a work of poetry. In order to write it, one must have tranquility of spirit and of impression.

Since I have come to America, I am often asked whether my next novel will be set in America. I don’t think it will. I think I will be living in America for some time to come, but while living in America, I would like to write about Japanese society from the outside.

In a novel you have to resist the urge to tell everything.

When writing a novel a writer should create living people; people not characters. A character is a caricature.

I hoped to be able to write a novel which would enable me to live on it while I wrote the next.

‚For Whom the Bell Tolls‘ was a problem which I carried on each day. I knew what was going to happen in principle. But I invented what happened each day I wrote.

I no longer feel attracted to the well-made novel. I want to write the story that will zero in and give you intense, but not connected, moments of experience. I guess that’s the way I see life. People remake themselves bit by bit and do things they don’t understand.

I never expected any sort of success with ‚Mockingbird’… I sort of hoped someone would like it enough to give me encouragement.

A novel is never anything, but a philosophy put into images.

Any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae.

I seem to turn out stories that violate the discipline of the short story form and don’t obey the rules of progression for novels. I don’t think about a particular form: I think more about fiction, let’s say a chunk of fiction.

I can have people around a lot more because I’m not always chasing them away so I can work on my novel. My non-novel, I mean.

There’s nothing worse than sitting down to write a novel and saying, ‚Well, okay, I’m going to do something of high artistic worth.‘