1970s quotes

I cycled when I was at high school, then reconnected with bikes in New York in the late ’70s. It was a good way of getting around the clubs and galleries of the Lower East Side and Soho.

From the 1970s, there has been a significant change in the U.S. economy, as planners, private and state, shifted it toward financialization and the offshoring of production, driven in part by the declining rate of profit in domestic manufacturing.

In the ’60s and ’70s and early ’80s, the trainers would grind you, and eventually they would break something – they would break an ankle in ways that it would heal. It was just the way of the business, to ensure that you learned respect for wrestling.

I think in the ’70s that there was a general feeling of chaos, a feeling that the idea of the ’60s as ‚ideal‘ was a misnomer. Nothing seemed ideal anymore. Everything seemed in-between.

The stores and the things like that, the business side of things came out at the point when, I’d say probably in the early ’70s, it looked like the year of the singer-songwriter was over, ‚cause music changed in our time and the spotlight was out.

Now I realize that from ’72 through to about ’76, I was the ultimate rock star. I couldn’t have been more rock star.

‚Royal Beatings‘ was my first story, and it was published in 1977. But I sent all my early stories to ‚The New Yorker‘ in the 1950s, and then I stopped sending for a long time and sent only to magazines in Canada. ‚The New Yorker‘ sent me nice notes, though – penciled, informal messages. They never signed them. They weren’t terribly encouraging.

Our goal in the ’70s was to end the closed door era. There were so many things that were off limits to women: policing, firefighting, mining, piloting planes.

I can remember earning £5,000 a game playing for Hibs at the end of the Seventies. They let me commute from London, train on the Friday and play on Saturday. That lasted until my friends at the Inland Revenue decided to take two-thirds. That wasn’t very entertaining for me.

In the ’70s, terrorism was much more serious, in that many more people got killed.

Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music – not like a record that you’d put on, which would play for a while and finish.