The iPod completely changed the way people approach music.

Classical – perhaps I should say ‚orchestral‘ – music is so digital, so cut up, rhythmically, pitchwise and in terms of the roles of the musicians. It’s all in little boxes. The reason you get child prodigies in chess, arithmetic, and classical composition is that they are all worlds of discontinuous, parceled-up possibilities.

A lot of the records you buy, there’s nothing you can hold in your hand, it’s all 1’s and 0’s, this digital cloud floating in the ether. but with analog albums, you can hold it in your hand.

First was the mouse. The second was the click wheel. And now, we’re going to bring multi-touch to the market. And each of these revolutionary interfaces has made possible a revolutionary product – the Mac, the iPod and now the iPhone.

I’m an iPod person.

You can’t really imagine music without technology.

I have so many indie bands on my iPod. What I don’t really understand is the attitude that if a band is unknown, they’re good, and if they get fans, then you move on to the next band.

I have a very eclectic iPod. So I’ve got my cardio people – so it’s anything from Beyonce to some Jay-Z to Janelle Monae, her song ‚Tightrope,‘ that’s a good cardio song. And then I’ve got Sting. I’ve got Mary J. Blige. I’ve got The Beatles. I’ve got Michael Jackson. I try to pick the songs that I personally love.