My method of getting a play across the footlights is like a revolver shooting: every line has a bullet in it and comes with an explosion.

I always said that I wouldn’t use a teleprompter, and if I start to sing real flat, I’ll hang it up.

What I like about Elvis is the same thing I like about James Brown, Michael Jackson, Prince. These guys, back in the day, there was no smoke and mirrors. It was just raw talent. They would step out onstage and command an audience. Talk about awesome.

I like touring extensively because I think the more hours you spend onstage, the more you know who you are onstage.

My dad was into the 1950s doo-wop era. If you look at those groups, or at James Brown, Jackie Wilson and the Temptations in the 1960s, you’ll see you had to be sharp onstage.

To the audience, it’s like I’m changing the subject every five seconds, but to me, my show’s almost like a 90-minute song that I know exactly. I wrote every note, and I know exactly where everything is.

I go onstage and I talk, and I remember what I’m saying, and I track it.

I knew that I was ‚interesting‘ at 18 because I was aware that I could get away with doing things on stage.

I had no idea of the character. But the moment I was dressed, the clothes and the make-up made me feel the person he was. I began to know him, and by the time I walked onto the stage he was fully born.

I wear a hat on stage so that people won’t be blinded by the reflection from my head. Also, if I don’t wear a hat, there’s no way that the hat can be at that level by itself on the stage.

My act is an exaggeration of a part of me. I’m much more expressive off stage.

Nothing feels better than going onstage and everybody is singing every word – and actually wanting to see you.

You know, when Michael Jackson does the moonwalk, he’s showing off! When Prince or Hendrix do a guitar solo, it’s confidence! I would hate to be at a show and some nervous wreck is sweating up there and doesn’t feel like he deserves to be there.

It’s very intense to be in front of a live audience. It’s just an amazing experience. It’s dangerous. Everything out there is heightened. The bad stuff is extra-worse. The silences are extra-silent. The good stuff is amazing. It’s electric when you walk out there. For 90 minutes, you’re on this other planet.

If you get something right, you really feel it, right in your chest, on stage. I think it’s an incomparable experience.

When I was a kid, I never did funny things to get attention. I was never a funny person. I was never, like, ‚Oh, wow. I could say this some day on stage.‘

Who I am on stage is very, very different to who I am in real life.

There’s something about being in front of a live audience that’s fun. It’s a really interesting, very electric, very alive, and intense experience, and you can’t get it anywhere else. And I’ve been doing it since I was 23, so it’s part of my being – it’s part of my fabric as a person.

I won’t be satisfied until people want to hear me sing without looking at me. Of course, that doesn’t mean I want them to stop looking.