If you go to a bad movie, it’s two hours. If you’re in a bad movie, it’s two years.

I saw ‚Magic Mike,‘ and I thought it was great.

A film is sort of binary – it either works or it doesn’t work. It has nothing to do with how good a job you do. If you bring it up to an adequate level where the audience goes with the movie, then it works, that is all.

‚Border‘ was the first movie that I watched on the big screen. It always takes me back to my childhood.

I loved the material when I first read it, and the experience of making the film was a great one. So when we came around to complete the trilogy, I just signed on board without even reading the scripts because the experience of the first film was so good.

I’m not a chick-flick enthusiast.

Worth seeing? Yes; but not worth going to see.

If you really love films, and you really want to get the full impact, there’s a huge difference between watching something on a small screen with a mediocre sound system and watching it on a giant screen in a giant theater with a huge beautiful sound system. I mean, the difference is electric.

On ‚Think Like a Man,‘ they got the best out of me because they allowed me to bring my own cadences and opinions to the character that I was playing. I think we got the best of that particular character.

‚Eastern Promises‘ is great.

I could hardly sit through ‚Frozen.‘ There was an attempt to craft a moral message and to build the story around that, instead of building the story and letting the moral message emerge. It was the subjugation of art to propaganda, in my estimation.

The original ‚About Last Night‘ was phenomenal.

How do people relate to movies now, when they’re on portable devices or streaming them? It’s not as much about going to the movies. That experience has changed.