I am so excited to extend myself behind the scenes as a designer and to – as my father puts it – finally have a real job.

The world is governed by very different personages from what is imagined by those who are not behind the scenes.

I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.

I’m different from any other designer, businesswise, in that I’ve built this company up and I own it. I never had business hype behind me to promote my image… My image is real… I have never had marketing people telling me what to do.

You just don’t know when you get in the editing room what you will need as a link or a tool for a transition. If you’re in a room, and there’s a kettle boiling, get a shot of it. Don’t worry if people think you’re nuts.

I feel like I might be a designer or stylist – or a director because I have always been super interested in cameras and editing.

I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.

When you are an actor, you have to stay inside this world, but when you are with the crew, on the outside, you are in the dirt, working through all the issues. It’s just a different way of working, and I think I preferred it.

I’m standing behind a wall of jokes. You don’t know about my personal life, my girlfriends, or what I do when I’m not on the road. There’s this guy, this comedian, and this is how he thinks, but people really don’t know anything about me.

Where I think the most work needs to be done is behind the camera, not in front of it.

But, having a perfume and license, in general, is a financial necessity. A designer must, to reap back the money spent on prototypes and all that sort of thing.