Everyone wants to know and hopes I retire so they can get the jobs. But my contracts with Fendi and Chanel are lifelong.

I will make action movies, I think, for a few more years, another five years.

My son has followed fashion since he was a punk. He and I agree that fashion is about sex.

After two years at UCLA, I decided to leave. I was convinced that no amount of education would help a black man get a job.

The story with anorexic girls – nobody works with anorexic girls. That has nothing to do with fashion.

I’m a fashion designer and people think, what do I know?

If you make yourself indispensable to your employer, he is not going to part with you in a hurry no matter what it costs him.

In wrestling, there’s a shelf life, and some wrestlers don’t pay attention to the shelf life.

I was impressed with what someone like Karl Lagerfeld built and did and the house that he made, but there was never really a female figure I wanted to emulate.

My dad has kind of been the standard for me, he played 16 years in the league, and since I’ve been in the league, every year that I go through and deal with the scratches, the bumps and bruises, just the grind that it is to go through one NBA season.

All an agent is going to do is buy things for a player, damage his eligibility, and make the player dependent on them.

My public is growing up just as I am. After all, I’m not 19 anymore and if I stick with the sex bit, who will be paying to see me when I’m 50?

The stylish kids on the street, they’re the ones that set the trends. The designers see what they’re doing and go and design their line and sell it back to the same kids, and it’s like, why not go directly to the source?

I think I’ve revived the costume-jewelry industry.

Start a part-time business and make as many mistakes as you possibly can while you still have your daytime job.

I don’t want to be an action star; action star’s life is so short. I want my life to get longer. I want my career to get longer.

I’m not sure what I think about current fashion, though. A few years ago, I would have said it’s really, really bad and you hardly ever see anybody looking good. There must be some very good designers in the world.

It’s easier to aim to please and say what others want to hear than to form an opinion and fight for it, even if it means taking a risk or losing your job.

On this team, we’re all united in a common goal: to keep my job.

I want to elongate my cricketing career as a consistent player. I have personal goals I would like to achieve someday.

Everyone must be proactive and do all they can to help themselves to stay employed.

I worked out a lot before I was 20. I was hard underneath. I had just a little padding. I was quilted. Always Chanel.

Fashion has become so whatever. I don’t think there are any stones left to unturn.

I talk to fashion designers and say I want some money to save the rainforest, and they say, ‚Oh, I agree with you completely Vivienne. Yes, climate change, it’s definitely happening,‘ but they don’t feel that they can do anything about it; they don’t even think ‚Well let’s stop it!‘

I would like to be a one-man multinational fashion phenomenon.

In the 1930s, unemployed working people could anticipate that their jobs would come back.

A lifetime contract for a coach means if you’re ahead in the third quarter and moving the ball, they can’t fire you.

DACA recipients risk a lot to come out of the shadows & sign up, but many will tell you the risk is worth being able to live and work in the only country they’ve ever known as home. DACA recipients serve in our military, work in Fortune 100 companies, and conduct important medical research.

Fashion breaks my heart.

Only free men can negotiate. A prisoner cannot enter into contracts.

I thank Marc Jacobs so much for giving me the opportunity to design a shoe for Louis Vuitton, but the thing that broke my heart most was when they said, ‚You’re finished. The shoe’s finished.‘

There have been several Duchesses of Westminster but there is only one Chanel!

Jobs are a centuries-old concept created during the Industrial Revolution. Despite the reality that we’re now deep in the Information Age, many people are studying for, or working at, or clinging to the Industrial Age idea of a safe, secure job.

As an artist, as a brand, as a rapper, as a musician, you know you got a window and a lot of people, even an athlete; they don’t have no exit strategy. It’s just living in the false reality that it’s going to be like this forever.

I think that’s why my career is going to be so long: Because I haven’t given people everything.

Unemployment rates among Americans who never went to college are about double that of those who have a postsecondary education.

The youth need to be enabled to become job generators from job seekers.

Fashion is life-enhancing, and I think it’s a lovely, generous thing to do for other people.

People clinging to job security, savings, retirement plans, and other relics will be the ones financially-ravaged from 2010-2020, the most volatile world-changing decade in history.

I hope to play until I’m, like, 38 or something, and that’s a lot of years in the game and a lot of travel and a lot of sacrifice on my family’s part.

Not a lot of people or pros in this game know how to train correctly. That’s why they don’t have a long career. Their body gets banged up. They get into a rhythm of heavy sparring and heavy work, but through that, they’re limiting movement.

New markets could be created by rural potentials, which could lead to rise in the employment.

I never look at fashion magazines. I find them incredibly boring.