I read every book there was on jazz, about the original players – King Oliver, Buddy Bolden and all those groups. At one time I was fairly well schooled in that… I could tell you who played where and when, historically, way before my time.

Trap is new. It didn’t start yesterday, but when I was 5, it didn’t exist – not even in the U.S. I’ve evolved with the music.

The Beatles created something that never trailed off. What a gift that was to their fans. If you’re into the Beatles, you loved them from beginning to end.

I wanted to be Gerry Mulligan, only, see, I didn’t have any kind of technique. So I thought, well, baritone sax is kind of easier; I can manage that – except I couldn’t afford a baritone, so I bought an alto, which was the same fingering.

I would say that jazz is my own language.

There are times when I feel like I’m a traveling minister. I’m trying to go out and get kids to pick-up yard sale instruments and change the world.

I’ve always loved black culture; I don’t know any other way to put it. Since I was a kid I loved music and early jazz, Sly and the Family Stone. I’m older – I’m in my early 50s – so you’ll have to excuse me. That was always very exciting to me to connect to the culture on that level.

I don’t want to do free jazz! Because free jazz – which is the musical equivalent of free marketeering – isn’t actually free at all. It’s just constrained by what your muscles can do.

There’s an ecstatic side to writing. It’s like jazz. It just has a life.

I feel it’s my job to continue being a student of music if I want to continue being an artist and a producer of other artists. You have to keep filling your mind with other music. You have to be ahead of the curve.

If you consider film an art form, as some people do, then the Western would be a truly American art form, much as jazz is.

My audience went, ‚Wait, why is she singing jazz? What’s going on?‘ And then they went, ‚Oh, because she can. Because she loves it.‘ And jazz, a music invented by the African-American community, is the greatest art form, I believe, to have ever come out of this country.

Pixies and Sonic Youth were so important to the eighties.

The signing of the Sex Pistols was a turning point for Virgin. It put the company on the map and, over the years, attracted bands such as Genesis, the Rolling Stones, Lenny Kravitz, and Janet Jackson. It also attracted Culture Club, who were ground-breaking.

It’s always fun to talk about jazz.

I’ve got wide tastes, but I don’t like jazz.

People like Frank Zappa and Bryan Ferry knew we could pick and choose from the history of music, stick things together looking for friction and energy. They were more like playwrights; they invented characters and wrote a life around them.

With recording, everything changed. The prospect of music being detachable from time and place meant that one could start to think of music as a part of one’s furniture. It’s an idea that many composers have felt reluctant about because it seemed to them to diminish the importance of music.

You listen to Charlie Parker or John Coltrane before they found their voice, they sounded different. And when you listen to them after they found their voice on their instruments, they sound more confident and in control. Artists have that, too.

I probably could have toured off ‚Trilogy‘ for the rest of my life. It definitely changed the culture. No one can do a trilogy again without thanking The Weeknd.

Before recording technology existed, you could not separate music from its social context.

Painting, I think it’s like jazz.

From one generation to the next, The Beatles will remain the most important rock band of all time.

The jazz I love is sweet and pure with raw elements, which is exactly what the good hip-hop is doing now.

I was 19 or 20 when The Beatles were at their peak, and I was coming up to the peak of my career, too. I was also the first footballer to have long hair, and that’s how I got my nickname ‚the Fifth Beatle.‘

The great moments of rock ‚n‘ roll were never off in some corner of the music world, in a self-constructed ghetto.

I’ve been composing music all my life and if I’d been clever enough at school I would like to have gone to music college.